Beskrivelse
Atomos Shogun 7
Atomos Shogun 7, spesifikasjon:
Shogun 7 Monitor
Atomos Shogun 7 is a precision HDR monitor-recorder-switcherdesigned for the film and video professional. It can be used aseither a stand-alone field monitor, recorder and switcher forevent, documentary and live in-the-field storytelling; or as a toolfor large-scale on-set episodic TV, film and cinema productionswhere multiple crew members such as focus pullers, grips andcinematographers require a consistent visual reference acrossthe field monitor ecosystem. Shogun 7’s portable size lets youmonitor, analyse and tag while on set; and check how yourcontent will look in your audience’s home via real-time DolbyVision output. With Shogun 7 you’re not locked into any format,camera manufacturer or pipeline. It is a completely flexiblemaster recording and production station.
Monitor, record and switch between 4 live HD SDI video streams(and one program stream) for flexible in-the-field directing.Enjoy the freedom of asynchronous switching and gen lock in &out to connect to existing infrastructure. Shogun 7 offers up to HDp60 SDI ISOs x 4 recording. Once you’ve finished capturing your streams, just import the Atomos xml file into your NLE andyour timeline populates with all your edits in place. Audio is also taken care of, with each ISO and program record, we insert themixed analog stereo channels and embed 2 channels of digitalaudio in each recorded stream. The program stream alwaysrecords the analog feed and switches between audio inputs for the on-camera audio to match the switched feed.
With the latest HDMI 2.0v you can capture up to 4Kp60 on any available camera, or via Quad Link, Dual Link or Single Link. If slowmotion capture is important to your production, Shogun 7 lets you capture 2K up to 240p. You can tag on-the-fly while recording fordirect-to-edit look up in Final Cut Pro X, Adobe Premiere* and AvidMedia Composer*
To make the most advanced on-set production tool for creativeenhancement, to achieve this we developed the most advancedscreen technology today, and it took us three years. We developed“Dynamic AtomHDR” screen technology into Shogun 7’s fieldmonitor makes your images blacks blacker and whites brighter.We include real-time output to Dolby Vision capable displays sothat you can quickly check that your Creative intent will translateperfectly to audiences at home. We added Apple ProRes RAWrecording to other popularly available formats. We added live a synchronous switching to record up to four real-time cameras atthe same time.
The Shogun 7 screen is the most precise 7” field reference monitorto-date for both SDR and HDR production as well as up to 2Kp240and 4Kp60. Display your work on the world’s best HDR screen withthe first-to-market Dynamic AtomHDR backlit technology, with360 zones that revolutionises the on-camera HDR monitor game.Dynamic AtomHDR achieves an astounding 1,000,000:1 contrast ratiowith ultra-wide colour, giving you the ultimate combination of blackerthan black OLED for intense shadow detail and blazing 1500nit LCDperformance for vivid high bright and HDR performance.
Atomos and Dolby have teamed up to give you live Dolby VisionHDMI out, from any SDI or HDMI HDR camera. All courtesy ofAtomOS 10. Simply connect your Dolby Vision capable TV ormonitor to your Atomos product* and magically, automatically, theAtomOS analyses the image, queries the TV, and applies the rightcolour and brightness profiles for the maximum HDR image on thedisplay or TV. This ensures the HDR image always looks as it wascreatively intended. This is a valuable on-set reference check for thecreative director and client. This function is also available inplaybackand playout from RAW and Log recorded ProRes RAW, ProRes andDNx rushes for instant time-saving, on-set and in-studio review.Utilise playback functions like slow motion, and insert edit and inand out points to speed up playlist compilation.
Monitor analyse and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/ grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Black Magic Resolve. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.
Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/ Quad Link SDI in almost any combination and eliminate the need for specialist converters.
Packing list:
1 x Shogun 7 unit
1 x Master Caddy II
1 x 12V-3A AC power supply
1 x Carry Case
Technical data:
Weight and Dimensions Without batteries 709g / 25oz.
Dimensions (W x H x D mm) 214 x 127 x 45mmmm
Construction Polycarbonate ABS
Mounting points 1/4”-20 screw mount. 1x top and 1x bottom
Power
Operating power Polycarbonate ABS
Compatible batteries NP-F series and supporting accessories.
Input voltage (battery) 6.2V to 16.8V
Battery time* (based on 7.4V) 5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 – 16.8V)
Touchscreen
Screen Capacitive touch
Size 7.2”
Resolution / PPI 1920 x 1080 / 325ppi
Aspect ratio 16:9 native
Contrast ratio 1,000,000:1 (Zone backlight turned on)
ColoUr Gamut Up to Wide colour gamut (105% DCI-P3
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x
Dynamic AtomHDR Technology
Backlight Direct LED
Zones 360 direct backlight individual LEDs
LEDs Wide Colour Calibrated D65 or D9
Bit depth 10-bit (8+2 FRC)
Colour DCI-P3 105%
Brightness 1500nit (+/- 10%)
Control On the fly real-time brightness analysis for LED contro
HDR Conversion Log/RAW to HLG or PQ
HDR Monitoring Technology
Gamma
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400
/ LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 /
LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED
Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k
HLG
Gamut
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema /
DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa
Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED
DragonColor / DragonColor2 / RED Color2 / RED Color3 /
RED Color4
Anamorphic de-squeeze 2x, 1.5x, 1.33x
Technology IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
AtomHDR Yes
HDR Monitoring (Gamma)
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /
LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
Nikon N-Log
PQ10k
HLG
HDR Monitoring (Gamut)
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 /
RED Color2 / RED Color3 / RED Color4 /
Video Input / Loop out
HDMI HDMI 1 x HDMI (2.0)
SDI Quad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Genlock Genlock input signal and output signal
Video Output (Playout)
HDMI 1 x HDMI (2.0)
SDI 2x 4K-SDI 12G or HD-SDI 3G/6G
HDMI Uncompressed true 10-bit or 8-bit 4:2:2 (camera dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to:
ProRes RAW
ProRes
CinemaDNG
(CDNG up to 30p only)
Avid DNxHD
Sony^^FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera
Panasonic VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Supported base resolution & FPS from cameras
4K DCI: 23.98/29.9/59.94p
4K UHD: 23.98/29.9/59.94p
2K DCI: 23.98/29.9/59.94p
1080p: 23.98/29.9/59.94p
Supported FPS & resolution from gaming consoles and graphic cards
1080p; 24/25/30/50/60/100/120
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown)
4K UHD downscale for HD monitoring Yes – Loop-out and playback (Not available in RAW)
Audio Out
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analogue in/out
Dynamic range >90dB
Max signal level +24dBu
Max analogue gain +52dB
48V Phantom Power for Mic
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols – Dolby Vision, Canon, Sony, Atomos
Open Standard
SDI SDI trigger camera selectable
Other LANC control – Slave
Playback
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom time lapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
Master caddy dock 75mm x 105mm x 12mm
Supported applications 2.5” SATA to USB 2.0/3.0
Endringer i teknisk spesifikasjon kan forekomme. Teknisk spesifikasjon fra leverandør: Atomos
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